Showing posts with label Hiawatha. Show all posts
Showing posts with label Hiawatha. Show all posts

Thursday, October 01, 2015

Big News about Hoffman's AMAZING GRACE

Eds. note (10/2/2015): See update at bottom. It appears the change is only to the U.S. edition. 

In a comment to his post about weeding books, Roger Sutton said that Horn Book just received the 25th anniversary edition of Amazing Grace and that the page on which Grace is shown playing Indian is gone (she's pretending to be Longfellow's Hiawatha). Here's his comment:


This is the illustration he's talking about. It was in the original version of the book, published by Dial in 1991. The author is Mary Hoffman; the illustrator is Caroline Binch:



For those who don't know the book, the main character is a girl named Grace who wants to be Peter Pan in the play her class is going to do. Other kids tell her she can't be Peter because she's a girl and he's a boy, and, that she's Black and he's White. Stung--as any kid would be--she imagines herself in all kinds of roles, including Hiawatha. That she's "by the shining Big-Sea-Water" tells us she is imagining herself as the Hiawatha of Longfellow's imagination (there was, in fact, a real person named Hiawatha).

But see how Grace "plays" Hiawatha? In a stereotypical way. She sits cross legged, torso bare, arms crossed and raised up (I don't know why so many statues show Indians with arms crossed and lifted off the chest that way), barefoot, with a painted face and stoic look.

Amazing Grace came out in 1991. In 1992, a person from whom I've learned a great deal, wrote about it. That person: Ginny Moore Kruse. In her article "No Single Season: Multicultural Literature for All Children, published in Wilson Library Bulletin 66 30-3, she wrote:
Are the book's multiple themes so welcome that the act of "playing Indian" escaped comment by most U.S. reviewers...that critics relaxed their standards for evaluation? No, such images recur so frequently that when they do, nobody notices. Well, almost nobody but the children who in real life are Indian. 
Claiming that only American Indian children are apt to notice "playing Indian," "sitting Indian style," or picture book animals "dressed up" like American Indians does not excuse the basic mistake. Self-esteem is decreased for the affected peoples, an accurate portrayals are skewed for everyone else.

This change is big news in children's literature. I'm grateful to Roger for sharing it. But let's return to his words. Roger suggested that the absence of Grace/Hiawatha in the new edition is the result of "public shaming."

Its absence can be seen as the result of public shaming---but it also be seen as a a step forward in what we give to children.

Might we say it is gone because its author, illustrator, and publisher decided that the self-esteem of Native children matters? And, maybe, they decided that having it in there was a disservice to non-Native readers, too, skewing what they know about Native peoples? Maybe they just decided it was dated, and in an effort to market the book to today's readers, that page would hurt sales.

Today, I wish I was near Ginny's hometown. I'd call her and see if she wanted to join me for a cup of tea. I'm sure it'd be a delightful conversation.


Updated on October 2, 2015 at 9:23 AM

Librarian Allie Jane Bruce wrote to tell me about a review of Amazing Grace at the UK website, Mirrors, Windows, and Doors. Based on what I read in the review, there are two versions of the 25th anniversary edition of Amazing Grace. The one Roger Sutton has is the US edition. The one in the UK remains unchanged. Here's an excerpt of the UK review:
The double-page that shows Grace as Hiawatha and then as ‘Mowgli in the back garden jungle’ does, however, need to be held up as a reminder that breadth of experience through reading is important for young children: whilst Grace’s story highlights a can-do attitude and the notion that you can be whatever you want to be because of what you do not what you are, the stereotypes that have been passed down through some of these classic stories can only be broken by ensuring that children read contemporary stories set within the cultures they represent.  There is still too much of a dislocation in the UK between dressing up in a feathered headdress with a painted face and awareness of how that sits within contemporary Native American culture.

I guess that the people involved in the 25th anniversary edition think it is ok to let kids in the UK have that page. Obviously, I disagree.

This, however, is familiar. In 2010, a British production of Peter Pan was slated for Canada. Changes were made to it in an effort to be sensitive to First Nations people. Given the debased depictions of Native peoples in kids books imported from the UK to the US, I think it is wrong to leave that page in Amazing Grace. Worse than wrong, actually. It is a disservice to the children whose stereotypical ideas of Native people are affirmed by that page, and a disservice to those who learn that image for the first time, when they read Amazing Grace. 

Tuesday, April 07, 2009

"The Big Indian" in La Crosse, Wisconsin


As you may know, I was in La Crosse last week. I did a presentation on American Indians and children's literature in Murphy Library at U Wisconsin La Crosse. It was a terrific gathering and I met a lot of wonderful people.

A reporter from the local paper was there to do an interview. Her article ran on Saturday in the Tribune. It is titled "Activist eyes cultural accuracy in kid's books." Here's the first two paragraphs:

The classic children’s book “Little House on the Prairie” portrays American Indians as primitive and less than human, said an expert in American Indian studies.

Yet the book is set in a time when the U.S. government had about 800 treaties with American Indian tribes, said Debbie Reese, assistant professor of American Indian studies at University of Illinois at Urbana-Champaign. These were men protecting their families, not bloodthirsty Indians,” she said.


Trib readers offered comments to the article. "Sad Sally" said:

I can hardly take it anymore. DON'T WE HAVE ANYTHING BETTER TO WORRY ABOUT????? MY GOD, WE ARE AT WAR, OUR ECONOMY IS IN SHAMBLES, OUR PRESIDENT IS OVER SEAS CALLING US ARROGANT, THOUSANDS OF BABIES ARE BEING ABORTED AS WE SPEAK, GAYS CAN MARRY IN IOWA, and we are worried about how Laura Ingalls perceived the Indians? This is downright stupid MY GOD!! 

And "wiseup" said:

Too many times 'activist' means complainer. Native's routinely killed other tribes and forced them off their own lands before the white man came here. Few were taught this tragic history. If you go back far enough, EVERY race has committed genocide, mass murder, etc against their fellow man! No one with a brain sees any side as ALL GOOD or ALL BAD. You can't change what happened in the past! Get over it and look to future!


I doubt that either Sad Sally or wiseup were at the talk I gave. Perhaps "activist" cued them to respond as they did. I do, in fact, consider myself an activist scholar, which is a way of saying that I use the knowledge I gain during my research by sharing it with others, and I encourage them to share it with others, too. I suggest they be active with that knowledge by asking bookstores to order copies of books that do not stereotype American Indians.

Most of the comments to the article are like Sad Sally's remarks. Comments by Jaxx are different:

I am currently reading "Lies My Teacher Told Me" by James W. Loewen, which I highly recommend for people. Not only do public schools not teach about the genocide that Native Americans have experienced, but they also make Christopher Columbus into a hero!

Negative comments are the norm, but worth noting because they tell us what think. They tell us what the teachers who attended my talk are up against...

I read those negative comments and think about "The Big Indian" statue in La Crosse at Riverside Park. Formally known as "Hiawatha," the statue is controversial. Minnesota Public Radio did a piece on it in 2000. Called "A Dilemma in La Crosse" it includes voices of those who want to keep it, and voices of those who want it removed. The photograph above is "The Big Indian." It's a tourist draw for the city. The Marriott, for example, lists it under "Recreation Information" on their webpage. They list it as "The Big Indian."

In the article, an art history professor who studies roadside statues says that it should stay in place because statues like it serve as reminders of how far the country has come. She can view it that way, but reading the article, it is clear that the public does not see it as she does. By them, it is revered and they see nothing offensive about it. The art history professor also says that it is an important marker for American history. I think it is evidence of America's arrogance, power, and ignorance. It makes it possible for people to comment, as they did, to the article about my talk.

Who, in fact, was Hiawatha? Is, for example, Hiawatha by Susan Jeffers an accurate portrayal of the person who was Hiawatha? Or are they about Longfellow's fictive Hiawatha?